REPORT

Aumixys Live Demo Master.wav

2026-06-01 12:00 · Version report · Single

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Live Demo

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Live Demo is read-only, while preserving the full BASE → SONG → REPORT → ANALYSIS path.

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Key metrics

LUFS-I-8.5

True Peak-0.08

Sample Peak-0.38

DR8.6

LRA1.6

BPM63.0

Verdict

Needs correction

Key: E-moll Duration: 32.0 s Issues: 5

QC issues

Warning DC Offset (-49.0 dBFS) reduces asymmetrical headroom.Advice: Waveform is slightly vertically offset. Apply HPF filter (15-20 Hz).

Info Detected 1 minor intersample peaks (ISP). Cosmetic — inaudible in practice, but setting your ceiling to -1.0 dBTP ensures full compliance.Advice: Set your limiter ceiling to -1.0 dBTP.

Warning True Peak (-0.08 dBTP) exceeds the recommended -1.0 dBTP (this is an Inter-Sample Peak after analog reconstruction — your DAW digital meters show a lower Sample Peak). If your limiter ceiling is set to -1.0 dBTP, the difference is due to ISP and usually does not cause audible distortion.

Warning Massive sub-bass energy excess: 47.3%. May cause limiter pumping and headroom loss.

Info Low loudness variation (LRA: 1.6 LU). Typical for modern pop, EDM, and hip-hop. If this is intentional — everything is fine.

Kick/Bass Beta

22% Controlled overlap

Bass 65.1 Hz / C2

Kick 46.1 Hz / F#1

Risk zone 55.7-73.2 Hz

Interaction Musical overlap

Spectral overlap 13.2%

Temporal overlap 52.4%

Do not cut the bass broadly unless you hear a clear playback issue. Check mono, small speakers, and low-level listening first; correct only if the kick loses definition or the bass disappears after the hit.

Frequency balance

Sub (<60 Hz)

47.3%

Bass (60-250 Hz)

41.1%

Low-Mid (250-500 Hz)

7.6%

Mid (500-2k Hz)

2.1%

High-Mid (2-6k Hz)

0.8%

High (6-20k Hz)

0.9%

AI Tips

📈 Too loud Track is very loud (-8.5 LUFS). Platforms will turn it down.

⚠️ True Peak Danger True Peak is -0.08 dBTP. Risk of distortion after conversion.

📐 Narrow Stereo Image Correlation above 0.95 means very narrow stereo, close to mono. If intentional (e.g., lo-fi, punk) — great. Otherwise, try adding a subtle stereo widener on Hi-Mids (2-6 kHz) or use different panning for elements.

📊 Bass Above Industry Standards Your bass balance is 41.1%, while top pop/EDM productions average 20-28%. The excess of ~16% may cause limiter pumping and loss of clarity on mobile speakers. Consider a gentle high-pass filter on the master bus (20-30 Hz) or reducing bass by 1-2 dB in the 80-150 Hz range.

🌑 Dark Sound vs Market High frequency energy is only 0.9%. Typical pop mastering is 10-18%. The track may sound "muffled" compared to competition on streaming playlists. A gentle shelf boost above 8 kHz (+1 dB) can add "air."

📉 Spotify Will Turn You Down Spotify will apply a -5.5 dB correction to your track. This means transients and dynamics will be "taken away" by the normalization algorithm. It's better to reduce loudness at the mastering stage and keep control over the sound.